In the Round: Frank Lloyd Wright’s Guggenheim Museum and Adapting with Site-Specific Installations

This paper reflects on the Solomon R. Guggenheim Museum’s unique spiraling ramp and central rotunda design and how Wright’s dynamic and unifying architectural design exemplifies how unique museum architecture can better display and adapt with the site-specific and multimedia installations of contemporary art.

Purple Mountains, Silver Jews, and Random Rules: The Life and Art of David BErman

This paper dives in the work and life story of David Berman, the American poet and lead singer and songwriter for indie rock/alt-country outfits Silver Jews and Purple Mountains, examining the ways in which Berman reflects a particular blend of American Western and American Jewish contexts and experiences.

Construction, Instruction, and Intersection: Community as a Converging Site of Education, Experimentation, and Collaboration in Jacob Lawrence’s Workshop

This paper narrows in on the 1972 lithograph Workshop by Jacob Lawrence, relating the composition and subject matter of the scene to the importance of educational and collaborative spaces in Lawrence’s experience as an student, a teacher, and an artist.

The Art of Artificial Intelligence: Redefining the Art Practice in the Age of Neural Networks

This paper explores the advent of AI art, its implications for our approach to and definition of art, and how it can be wielded as a critical tool in a world increasingly run by computers.

Art History Final Paper: Analyzing KÄthe Kollwitz’s March of the Weavers

This paper examines how Kollwitz’s March of the Weavers reflects the growing intersection between socialism and feminism that Kollwitz encountered in a late 18th century Germany.